Flash triggering guide

rf-602

So you want to trigger your flash, but don’t know what equipment to get?

There are many different ways of triggering your flashes, and the number of options can be overwhelming. What’s more, some triggers are better than others in certain situations, and some are just plain rubbish, but you can’t tell this from the price alone!

With the rate of new products being released, web pages which were once a good reference are now out of date. This guide aims to be up to date in comparing the merits of each triggering system. For an in-depth guide to using different types of triggers, have a look at this article by DPanswers. For German speakers there is an excellent Strobist Hardware FAQ here.

ElectricalOpticalRadio
On the hotshoe
The test button
PC sync cable
TTL cord
Optical slave
Advanced wireless system
"Stealing" someone else's flash
About eBay triggers
TTL triggers
Radio trigger comparison
Unreleased triggers

Electrical

On the hotshoe

Flash on the hotshoe of a DSLR camera
The easiest and most obvious way of triggering a flash is by putting it on the hotshoe of your camera. However, while this provides much more power than your camera’s built-in flash (if it has one), the light is still harsh, direct and can cause red-eye in your pictures.

By tilting and swivelling the flashgun you can bounce the light off walls and ceilings around you to get better results. An exemplar of this technique is Niel van Niekerk. Nonetheless, when using bounce flash, the number of “looks” you can achieve is limited by the environment.

To begin learning about off-camera flash, we recommend David Hobby’s Lighting 101 on Strobist.com.

Range: Depends on the power of your speedlight, and the surfaces you are bouncing off (if any).
Reliability: Because it is hard wired, it will work every time.
Speed: As fast as your maximum sync speed, and even faster if your camera and flash have a high speed sync feature. NB: some TTL flashes will tell your camera to limit you to 1/500 or 1/250 second, either to avoid banding or to keep the whole flash duration within the exposure.
Availability: Most speedlights and DSLR cameras have ISO standard hotshoes, though most point-and-shoots do not. Some handle-mount flashes connect via the hotshoe, while others use a sync cord. Sony/Minolta have a proprietary “iISO” connector which requires an adapter in order to be used with the standard ISO hotshoe.
Problems: Choice of lighting is dependent on your environment. Soft lighting cannot be achieved at long distances. Exposure changes as you move relative to your subject.

The test button

Ken Brown: Photographing Cars (video)

Ken Brown: Photographing Cars (video)

While not one of the most versatile of triggering methods, it is certainly one of the cheapest. Simply press the “Test” button (also called “Pilot” or “Flash”) on your flash while your camera is capturing the image. With a tripod and a long exposure, you can move away from your camera, around your subject and flash it multiple times from different positions. This can give the effect of several lights or one big light source.

This method is useful for light painting at night or in a studio environment, as shown by automotive photographer Ken Brown in his video (right) and related Flickr discussion.

Range: Depends how long your exposure is and how quick you are! With assistants, potentially unlimited. You have to be careful where you position yourself if you don’t want to be in the picture.
Reliability: As long as you have someone to press the button, it will work every time.
Speed: You can only use very slow shutter speeds, unless you have the reactions of a leopard.
Availability: Every flash unit should have a test button. If you don’t have a flash unit, you can switch a torch on and off. If you don’t have a torch, you can wave a glowstick, find some bioluminescent wildlife or brush your teeth a lot and grin broadly.
Problems: Tripod, assistants or long arms required. You are limited to human power. It is awkward to set off a flash inside the frame without appearing in the exposure yourself. Only suitable for long exposures.

PC sync cable

A Prontor/Compur (PC) jack is a 2-contact connection historically used to connect flash units to cameras via wires. It is also now used to connect some wireless triggers with flash units.

Range: Depends on the length of the cable. Can be from a few centimetres to several metres.
Reliability: As a hard-wired system, PC cables should be reliable. However, the design of the connector means that they can easily come loose, disfigure or break contact, causing failures. However you use an audio connector instead, such as a 6.35mm (1/4″) or 3.5mm (1/8″) jack, which are more reliable than the Prontor-Compur connector.
Speed: As fast as your maximum sync speed.
Availability: Not all flashes have PC ports, though you can buy adapters on eBay. Cables and adapters are expensive for what they are.
Problems: A cable-based system means you have to deal with keeping your cables where they can’t been seen or tripped over. Their unreliability can cause them to be “the bane of our existence as photographers” – learn more in this article on Strobist.com.

TTL cord

A TTL cord is an extension of your camera’s hotshoe, allowing you to use its proprietary features and Through-The-Lens metering system off-camera. Some cables allow you to connect multiple flashes at once.

Range: Depends on the length of the cable. From about 1 foot up to 10 metres.
Reliability: Generally very reliable. Sometimes problems with electrical contacts can occur.
Speed: The same as using the flash on the hotshoe.
Availability: Proprietary TTL cords can sometimes be expensive, but you can get them more cheaply from 3rd parties. Depends on both your camera and your flash having a hotshoe or proprietary port.
Problems: A cable-based system means you have to deal with keeping your cables where they can’t been seen or tripped over. Using multiple flashes can be awkward or impossible. If using your flash on a stand, you can easily pull it over as you move about. Can’t be used with studio lights.

Optical

Optical slave

An optical slave cell triggers a flash unit in response to a burst of visible or infrared light given off by another flash.

Range: Only a few metres, as line of sight is required between the master and the slave. Outdoors, this often has to be a direct line. Indoors, light bouncing around the room allows more freedom.
Reliability: Indoors, generally very good. Outdoors, the sensor can have trouble distinguishing bright sunlight from the flash pulse, causing problems.
Speed: There is a negligible delay in an optical slave system. High sync speeds can be reached easily (depending on how the master flash is triggered).
Availability: Nearly all studio lights, as well as some speedlights, have integral slave cells. For those that don’t, optical slaves can be bought very cheaply almost anywhere.
Problems: An optical slave does not discriminate. Other people’s flashes will set them off. This is an issue at events with lots of cameras such as weddings, and when working in a shared studio space.

Advanced wireless system

Nikon SB-600

Major DSLR manufacturers have proprietary systems whereby an on-camera “master” (or “Commander”) flash can control and adjust compatible “slave” flash units via a series of complex pre-flashes. The Commander flash can be an external on-camera flash or the camera’s built-in/pop-up flash (if it has one) – however not all cameras/flashes have the facility to act as Commander.

Like simple optical slaves, these signals are based on visible/infrared light, but they are capable of remote power adjustment, TTL metering and more. Some manufacturers’ systems have more features than others. Many of the features of optical slaves also apply to proprietary lighting systems, so there will be some repetition below.

Also known as: Nikon – Advanced Wireless Lighting (AWL); Canon – Wireless Speedlite System; Olympus – wireless flash control.

Range: Only a few metres, as line of sight is required between the master and the slave. Outdoors, this often has to be a direct line. Indoors, light bouncing around the room allows more freedom. If using an external on-camera flash as master, you can get the best results by pointing the master flash head directly towards the sensor on your slave.
Reliability: Indoors, generally very good. Outdoors, the sensor can have trouble distinguishing bright sunlight from the flash pulse, causing problems. Some people make “snoots” to shade their slave flash sensors from the sun.
Speed: The wireless signal pre-flash is usually imperceptible from the main flash. The same limits to sync speed apply as if you were using a proprietary flash on-camera. You may also be able to utilise FP high speed sync.
Availability: For a master, you must use a compatible camera’s built-in flash (Nikon: D90 and up. Canon: 7D only. Olympus: e.g. EP-2), a high-end speedlight (Nikon: SB-800/900. Canon: 550EX and up. Nissin: Di866) or a specialised infrared transmitter (Nikon: SU-800. Canon: ST-E2). For slaves, you must use compatible speedlights (Nikon: SB-600 and up. Canon: 420EX and up. Nissin: Di622 and up).
Problems: Using your built-in flash as master can use up your camera’s battery quickly. Some light modifiers do not allow you to expose the slave flash’s infrared sensor. You are limited to the power of hotshoe flashes, as no studio lights are compatible. Using advanced lighting systems in conjunction with other triggering methods is awkward – the master takes up the hotshoe of your camera (where a radio trigger would normally go), and the pre-flashes will set off simple optical slaves prematurely if they do not have a “pre-flash ignore” feature.

“Stealing” someone else’s flash

Stealing flash

Stealing flash at a wedding

This is an experimental and unpredictable technique, which is good fun at weddings and other social events. The aim of the exercise is, by lucky timing, to take a picture at exactly the same time as somebody else who is using a flash. Then their flash will be included in your exposure. Since the other person will probably not know you are doing this, and are likely using the automatic flash on a point-and-shoot camera, your timing and exposure must be guessed.

Range: Infinite, as long as you can see somebody taking a picture of somebody else. Here is a long-range example by photographer Nils Jorgensen.
Reliability: Utterly unreliable. Digital is definitely better than film for this.
Speed: You’re more likely to capture a flash with a slower shutter speed, but as long as you haven’t walked under any ladders today, you’re free to try at your maximum sync speed if you like. Continuous shooting mode recommended.
Availability: No cost. In fact, you’re freeloading off somebody else. You’ll be better off at a film premiere than up Ska Fell Pike, though.
Problems: It’s hard! You’re probably more likely to discover it by accident.

Radio

About eBay triggers

The first generation

PT-04TM receivers broken at the L-brackets

Broken PT-04TM triggers

Back when Strobist.com‘s Lighting 101 guide to triggering was written, the choice was clear. You could splash out on PocketWizards for excellent range and reliability and be done with it, or you could economise on “eBay triggers” (also known as “poverty wizards”) and get not much range, reliability or economy. These 1st generation eBay triggers are called [InsertBrandHere] V1, V2, V2s, PT-04, PT-04TM, RD-604 and so on. Even if you get a decent, working and reasonably reliable set first time, their poor design (tall, sitting on a rotating L-bracket) combined with heavy usage will eventually see their undoing: see the picture above!

The second generation

At the end of 2008, enter Yongnuo Photo Equipment, with their CTR-301 series. They did away with the top-heavy design and created a much more stable, lower profile trigger receiver. Additional features of the Yongnuo CTR-301 include an optical slave mode, and the ability to sync with old high voltage flashes. Other manufacturers followed suit and put their radio receivers into lower, stronger casings, including Cactus V4 and [InsertBrandHere] PT-04 CN et al.

(Which trigger is better, Cactus V4 or Yongnuo CTR-301? Join the debate.)

The third generation

Yongnuo CTR-301 and RF-602 receivers

Yongnuo CTR-301 and RF-602 receivers

In 2009, Yongnuo came out with another triggering innovation, the RF-602*. These use a 2.4 GHz signal (versus 433MHz) which seems to be 100% reliable, long-ranged and free of interference (even in proximity to wireless routers, which use the same frequency). Another benefit is that they will wake up flashes from sleep mode, and you can use them as a camera shutter release. Up to now the RF-602s have been the unrivalled champion of eBay triggers (though they cannot trigger HV flashes as the CTR-301 can), and have narrowed the gap between eBay triggers and high-end triggers such as PocketWizards.

The future

Manufacturer Phottix is also expected to release a 2.4GHz trigger, the Strato in the near future, and has already unveiled the PocketWizard-compatible Phottix Atlas. Pixel Enterprise have the 2.4GHz TF-36X-series, also known as the iShoot PT-04 D, though at the time of writing reviews are scarce.
* In Thailand the Yongnuo RF-602 is branded “Fokon MR R-16″

TTL triggers

Radio triggering featuring TTL exposure is still an emerging industry, currently only undertaken by a few third party manufacturers. Solutions include relaying infrared systems over a radio link (Radiopopper) or using a “wireless TTL cord” (Pixel). Each of these systems has its own advantages and disadvantages. For more details, read this excellent article on DP TnT.

BrandModelForMSRPRX onlyRangeTestedFrequencyChann.Max V.MethodTX PortsRX PortsTX Batt.RX Batt.
PixelTR-331Nikon$180.00$120.0065m+2.4 GHz156VTTL pass-throughPCPCCR2CR2
PixelTR-332Canon$180.00$120.0065m+2.4 GHz156VTTL pass-throughPCPCCR2CR2
PocketWizardMini/Flex TTNikon/Canon$418.00$219.00100m+344/433 MHz3/2050VControlTLUSBUSB, 3.5mmCR2450AA
RadiopopperP1Nikon/Canon$360.00$180.00N/AInfrared-radio relayInfraredInfraredAAAA
RadiopopperPXNikon/Canon$498.00$249.00530m900 MHz16N/AInfrared-radio relayInfraredInfraredAAAAAA
YongnuoYN460-TX/RXCanon$349.99200m+2.4 GHz7N/ABuilt-in receiversPCAAAA

Radio trigger comparison

So that you don’t waste your money buying dodgy cheap triggers, or underwhelming overpriced ones, we have made a comparison table with all the important details. If you think anything is missing or inaccurate, contact us and we’ll put it right. Use the drop-down menu to show more triggers.

BrandModelMSRPRX onlyRangeTestedFrequencyChann.Max V.HotshoeTX PortsRX PortsTX Batt.RX Batt.Shutter
AputureTrigmaster$45.50100m433 MHz16Yes2.5mm2.5mm23AAAAYes
AputureTrigmaster Plus$119.90$59.95100m433 MHz16Yes2.5mmN/AAAN/AYes
BowensPulsar£246.99£147.99100m433 MHz425VNoPC, 3.5mm, DC inAAA - transceiverYes
CactusV2None$16.9510m433 MHz4300V (min 12V)Yes2.5mmPC23ACR2No
CactusV2s$32.95$19.9510m433 MHz412VYes2.5mmPC23ACR2No
CactusV4$39.95$23.9530m100m433 MHz16300VYes3.5mm3.5mm23AAAANo
eBay genericPT-04TM$18.99$12.0010m433 MHz412VYes2.5mmNone[2]23AAAANo
eBay genericD-8P$20.99$13.9915m50m433 MHz8Yes2.5mmPC23AAAANo
eBay genericPT-04 III$22.0030m433 MHz412VYes2.5mmPC23AAAANo
eBay genericPT-04 B$29.99$11.9930m433 MHz4No2.5mm6.35mm, 3.5mm23AAAANo
eBay genericPT-04 C$29.99$19.9930m180m+433 MHz4Yes, 22.5mm3.5mm23AAAANo
eBay genericPT-04 CN$19.99$11.9930m433 MHz4Yes2.5mmPC23AAAANo
eBay genericPT-04 A$24.9930m433 MHz4Yes2.5mm3.5mm23AAAANo
ElinchromSkyport Universal$180.00$110.00120m>183m2.4 GHz850VNo3.5mm3.5mmCR2430LithiumYes
ElinchromSkyport ECON/KN/A80m2.4 GHz4N/AN/ANoneN/ALithiumN/AN/A
FomexDr. Ray$249.60$122.85300m>68.5m2.4 GHz16YesNonePC23AAAAYes
GodoxReemix RM$29.99$15.00100m433 MHz16Yes2.5mm23AAAAYes
HahnelCombi TF£59.90£39.95100m2.4 GHz16Yes2.5mm2.5mmCR2032AAAYes
ImpactPowerSync10$139.9861m433 MHz10Yes2.5mm3.5mm, PC23AAAAYes
Interfiti SYNC 4£49.99£28.9930m433 MHz4Yes3.5mm3.5mm23ACR2No
MeikeMK-RC7$28.79$18.99100m2.4 GHz16YesPCRM-CB1AAAAAAYes
Paul C. BuffCyberSync$159.90$69.95100m2.4 GHz16300VNoNone3.5mmCR2450AAYes
Paul C. BuffCyberSync Plus$180.00$89.9545m2.4 GHz16300VNoµSD3.5mm, RJ11AAYes
PhottixAster (PT-V4)$52.07$35.6530m433 MHz4Yes3.5mm3.5mm23ACR2No
PhottixAtlasN/A$113100m433 MHz4Yes2.5mm, DC inN/AAAN/AYes
PhottixStrato$73.94$51.59100m2.4 GHz4Yes3.5mm3.5mm, 2.5mm, DC inAAAAAAYes
PixelTF-361/2/3 Pawn$45.9980m2.4 GHz1636VYes2.5mm2.5mmCR2032AAAYes
PixelTF-371/2/3/4$70.00$48.99100m2.4 GHz16Yes2.5mm2.5mmCR2032AAAYes
PixelTR-331/2 Knight$180.00$120.0065m+2.4 GHz156V on shoeYesPCPCCR2CR2No
PocketWizardPlus IIN/A$169.00488m433 MHz4200VNo3.5mm, DC inN/AAAN/AYes
PocketWizardMultiMAXN/A$295.00488m433 MHz32250VNo3.5mm, DC in, USBN/AAAN/AYes
PocketWizardFlex/Mini TT$418.00$219.0010m+433 MHz3250VYesUSB3.5mm, USBCR2450AAYes
ProfotoAir SyncN/A$193.00300m2.4 GHz8No3.5mm3.5mmAAAAAANo
RadioPopperJrX Basic$139.95$79.95530m65-90m900 MHz16NoNone3.5mmCR123ACR123ANo
RadioPopperJrX Studio$159.95$99.95530m65-90m900 MHz16NoNone3.5mmCR123ACR123ANo
RadioPopperP1$360.00$180.00N/ANoInfraredInfraredAAAANo
RadioPopperPX$498.00$249.00530m900 MHz16N/ANoInfraredInfraredAAAAAANo
SeculineTwinlink T2D$149.99$89.99183m2.4 GHz16Yes2.5mm2.5mm, PC, DC inCR2032AAANo
SM DVMySlave 100₩130,00050m433 MHz10No2.5mm?PC, DC in, 3.5mm23AAAANo
SM DVMySlave Quick₩160,000₩110,00050m433 MHz10Yes2.5mm?PC, DC in, 3.5mm23AAAANo
SM DVFlashWave 2$250.00$180.0050m>68.5m433 MHz10Yes2.5mm3.5mm, PC23AAAANo
SM DVFlashWave 3$180.00180m2.4 GHz16300VYes2.5mm3.5mm, PC, AC inCR2350AAYes
TamracMicroSync$149.95$99.9530m433 MHz460VNo2.5mm6.35mm [5]CR2032AAYes
YongnuoCTR-301P$28.99$18.0030m36m433 MHz4300VYesNone2.5mm23ACR2No
YongnuoYN-16$31.99$11.00100m125m433 MHz167VYesNone2.5mmCR2032CR2Yes
YongnuoYN-16TM$31.99433 MHz15YesNone2.5mmCR2032CR2Yes
YongnuoYN-04 II$28.99Sets only30m433 MHz4300VYesNone2.5mm23ACR2No
YongnuoRF-602$40.99$23.99100m>200m2.4 GHz1512VYesPCRM-CB1CR2AAAYes

Unreleased triggers

These triggers are coming soon-ish, with all details subject to change.

BrandModelETARangeFrequencyChann.Max V.HotshoeTX PortsRX PortsTX Batt.RX Batt.Shutter
CactusV524-Jan-11100m2.4 GHz16Yes3.5mmN/AAAAN/AYes
PhottixHelios2011100m2.4 GHz4YesPCUSB, DC in, 3.5mmAAAAAA?
PixelBishop2011200m2.4 GHz7YesHotshoeDC in, 2.5mmCR2AAAYes
PixelKing?100m2.4 GHz16YesHotshoeDC in, 2.5mmCR2AAAYes

 

16 Responses to Flash triggering guide

  1. starship says:

    great work. it helps a lot…
    i really hope we get not only “promising” but really working radio-ttl-controlled solutions sometime in a forseeable future.

  2. Harri Verch says:

    great work. it helps a lot…i really hope we get not only “promising” but really working radio-ttl-controlled solutions sometime in a forseeable future.
    +1

  3. Bigeye says:

    Thanks for the listing – i’ll keep checking back. Watching to see the voltage on the Phottix triggers – the Aster will be perfect for my old 6×6′s and 4×5′s pc sync shutters, if it can handle the blast from my old Japanese vivitar 285s. The ctr-301 would do, but the Tx doesn’t have a port. The Aster’s Tx 3.5mm/pc sync makes a nice connection to the lens and I’ll use a short 3.5mm-vivitar plug for the flash/trigger. Really will make flash with the old stuff much easier. Thanks for the effort.

  4. jesse says:

    great resource. thanks for putting it together.

  5. Bigeye says:

    Bought the Photix Asters and like them very much – work with my old Viv 285s just fine.

  6. 4light says:

    Will the cactus type flash triggers work on old manual focus 35mm cameras with only a simple hot shoe (like canon ftb)?

  7. Paul Austin says:

    Great resource! I’m on my way to pick up an SB600 for my D5000′s lonely hotshoe! Looking forward to better results!

  8. mubarak mukhtar says:

    how do i enhance my lightning i use a 580EXii on canon 50D but after a while of shooting the light reduce in intensity givin me dark images regardless of the proximity of the roof. can anyone profer a solution……………

  9. RogerD says:

    Thanks for this useful review – I have just bought an iShoot flash trigger which claims to be the PT 04A, B, C, D and CN but there are no instruction with the unit. I am trying to get it to trigger my Minolta 5600 HSD but it does not seem to like it. Are you able to tell me if this flash requires a high voltage to trigger it or any other issues I should be aware of?
    Many thanks.

  10. Alvin says:

    Would you compare with the Phottix Strato 4-in-1 trigger?

  11. Alex says:

    Nice idea, but it includes wrong data. The Reemix is mentioned to have reached 100 meters…Completely untrue! I reached about 30-33 meters with it. The data about the PT’s so confusing too. There is more than manifacturer that use the same bodies and name(PT), but the inside components are different. In most cases, they are similar to the car locking remotes. I reached 65 meters with PT 04 for Nikon(not 30 as mentioned here). The PT’s that i have test are very durable and reliable triggers.
    The Aputure Trigmaster Plus is said to reachjust 100 meters(as the manufacturer say). I have tested it three times and each time i reached 300 meters! Are all of these triggers tested for real?

  12. Dennis says:

    I am trying to find out if the ‘i-sync4′ slaves will be suitable to use with my Vivitar 283 flash units – which I know are high voltage? Any info gratefully received.

  13. frank says:

    What is the least expensive, while still reliable, E-TTL compatible wireless trigger ?
    Could it be Phottix Helios? Or are there other options

    I have the Yongnuo 602 but I need E-TTL

    Thank you

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