How to achieve super soft light

In today’s post I will show you a technique which is quite similar to the one from my last tutorial, but gives you far more control. Last time we used a bare speedlight bouncing off a neutral coloured wall to enhance or imitate natural window light. Today we stick with one single speedlight to create our own portable window light! But before we dive into explanations, I want to show you a result of that technique:

As a backdrop I used two thin wooden boards of the type that is used as backs of cupboards, that were gaffer- taped together. But you can use the corner of any white painted room as well. As you see, the light is very even and very soft. And the great thing about this setup is, that the unbelieveably elaborated lightmodifier costs just about 5 Euros… :-)

I bought an IKEA shower curtain through which I fired my speedlight.  In the studio I nailed it to a wooden frame so that it’s easy to setup, but on location I usually tape it to the ceilling, in front of a window, put it a boom stand or simply ask somebody to hold it.

Changing the zoom settings of your speedlight, you can vary the softness of the light by changing the lit area of the shower curtain. By changing the distance between flash and diffusion material, you can change the specularity. So if you have problems with reflections in glasses for example, just move your flash head further away from the shower curtain and you get rid of the reflections immediately.

So it’s literally just a piece of translucent fabric that gives you an amazing amount of control about your light. A control that a softbox can’t offer you, because with most softboxes the distance between lightsource and diffusion material is fixed.

If you don’t get any plain white shower curtains in your area, a bed sheet,  table cloth, a neutral coloured curtain or any other partly translucent material will just do fine. Some let more light pass through than the other, but as long as they let light pass through, they all work!

Here is the lighting diagram of the above shot:

Some diffusion material I always carry with me, because it offers you so many ways to shape your light, cost nearly nothing, are REALLY lightweight and fold up extremely small. Besides that, you can use them as backdrops, to place between your model and a dirty surface (important for weddings) or even as reflectors to bounce some light back into the scene.  For me one of the most used modifiers…

As a little recap – you have three ways to shape your light with these modifiers:
1. Moving the diffuser closer to your subject will result in higher lighting contrast due to quicker light fall off.
2. Reducing the lit area of the diffusor will give you harder light, enlarging it will result in softer light.
3. Increasing the distance between flash and diffusor will lead to a reduced specularity and vice versa.

If you have some questions, just drop a line in the comments below!
- Martin -

  • Stuart

    Simply brilliant – simple and brilliantly said. I do like it shown like this.

    • http://www.martinziaja.de Martin Ziaja

      Thanks, Stuart! I try to keep the tutorials coming…

  • http://www.apfilmworks.com Kay O. Sweaver

    What do you mean when you say reduced specularity?

  • Lawliet

    Side note: Don’t forget about those inexpensive 5in1 pop-up panels – almost as large as the shower curtain but hold their shape well enough to attach them to a tripod w/o much ado. And they also double as black fabric if you have to deal with excess light.

    Nice to see something different from “to get this effect you just have to buy this fancy toy” – just like movie making while being on a limited budget, its fun to do that :)

    • http://www.martinziaja.de Martin Ziaja

      You’re right, you can also use these inexpensive 5in1 reflectors (I have several of them in daily use), but the main disadvantage of their diffusors is that they are very dense. All the cheap ones I have seen so far suck about 2 stops of light, which is a lot. My extremely sophisticated IKEA-diffusor sucks not even 1 stop (8/10th) which pleases me far more. I also use curtain cloth that sucks even less light sometimes.

  • http://www.bencer.pl Marcin

    Simple and brilliant and you can use two speedlights one low and one high.

  • tharaka
    • Lawliet

      A scrim is more transport friendly and scalable for less money – if you don’t need the unique properties of a softbox its the more efficient solution.
      Also think in terms of what you can do without going beyond the “just a hobby”-stage. :)

    • http://www.facebook.com/profile.php?id=100000322007376 Martin Ziaja

      You can achieve a similar quality of light using a softbox, that’s right. But a softbox (or most of them) don’t allow to change the distance between flash head and diffusion panel. That means that you cannot change your specular characteristics in the way you can do using a simple diffusion panel.

      Another important difference between softboxes and diffusion panels is the amount of scattered light. A softbox allows you to light with a tiny bit of scattered light because of its closed design, while using a diffusion panel you have to deal with a huge lot of scattered light – which can be good OR a real pain, depending on which look you’d like to achieve and in which enviroment you shoot.

  • Javier

    Nice tutorials! Interesting “aha moment” about softboxes limitations…keep going!

    • http://www.martinziaja.de Martin Ziaja

      Hi Javier and thanks for your compliment about my articles! Sure I keep them coming… :-) If you’d like me to write about something special, just drop a line! Martin

  • http://www.knost.wordpress.com Parre

    God job! :)

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