New brand of UK-made portable monolights ‘support TTL’

Magneflash have brought out the Splash battery-powered monolights, manufactured in the UK. The new M30 and M40 series studio flashes are designed for a range of applications including portraiture, still life, weddings and location photography.

Magneflash Splash Mono 30 series

According to Magneflash, the internal electronics inside the Splash are unique. The M30 series has eight separate flash tubes in the head and the M40s have 12. By “superimposing one complete flash on top of the other” the Splash’s method for adjusting power level provides more consistent colour than either IGBT speedlights or conventional voltage-controlled studio flashes. The flash duration is always the same, a fixed 1/4000 second.

When the Splash is at 50% power or less and has its optical slave switched on, it will track pre-flashes from TTL speedlights, firing at the same power level on each pre-flash as it does during the actual photograph. As a result, the camera’s exposure calculations take the Splash’s contribution into account, allowing you to use your camera in an automatic setting such as Shutter Priority program mode. For further explanation of how this works, visit the Magneflash web site.

The monos are also said to be capable of “high speed repeat firing… much faster for the power than speedlites”.

Each of the five different models in the Splash line-up is weather resistant and has a built-in rechargeable battery, making them well-suited for use outdoors. All have optical slave cells and the Splash Mono 40LWT adds a radio receiver compatible with Hähnel Combi TF wireless flash triggers. The M40L and above have LED modelling lamps.

Magneflash Splash Mono 40 series

A Bowens S adapter is available to mount third party modifiers. Magneflash also have their own 50*50cm collapsible softbox called the Airobox 50, which costs £72. More information on accessories can be found here.

Model
M30
M30E
M40
M40L
M40LWT
Guide number (GN)3030404040
Minimum power25% (1/4)25% (1/4)12% (1/8)12% (1/8)12% (1/8)
Flashes per charge150300150150150
Modelling lampNoNoNo500lm500lm
Max recycle time5.6s2.8s6.5s6.5s6.5s
Built-in radio receiverNoNoNoNoYes
Price including VAT£258£294£354£420£474

Peter Louden, a former employee of Bowens and Calumet, is the man behind the new studio flashes. He formed his own company ten years ago, until recently working the USA on specialised technologies for medical and 3D image lighting. Following a test of the concept at the Focus On Imaging trade show in March 2011, the Splash monolights were launched in January this year.

Mr. Louden says,

“They are new and we believe the concept is new… For me, the most important aspect of off-camera flash is optical compatibility with studio flash, hence the tube arrangement. The multi-tube feature makes for a complex unit electronically but at the same time allows simple operation.

“I don’t know of any [rival] units to compare Splash with – I suppose that’s the point.”

So far, the new products have received mixed reviews. Photography web site ePHOTOzine criticised the Splash Mono for its “hand-built… Blue Peter finish” and lack of audible ready beeps, but praised the “very good” colour balance and quick flash duration. Bugs with consistency have since been fixed in the latest models. Amateur Photographer – a UK print magazine – gave the Splash Mono 30 a rating of four stars, calling it “a delight to use and simple to operate”.

At the time of writing, the only place you can purchase a Splash Mono is directly from Magneflash. For more information and to buy, visit their web site.

  • scott

    What’s the Watt second rating of any of these? While I understand the fallacies in Ws ratings, they can still be useful to give a generalized comparison between units, and I would say more accurate than GN, especially if GN are not qualified, as they are here.

    • David A. Selby

      The guide numbers (GN) are with 50 degree reflector – this is specified on the Magneflash web site.
      For the Watt second (Joule) rating, Peter Louden says,

      “The Monos, as with speedlights, are not specified in terms of watt-seconds or joules. However, the light-output of the M30s can equate to conventional studio flash powers of up to 120ws at slow shutter speeds or up to 240ws at shutter speeds 1/500th sec or shorter. The M40s are 200ws and 400ws respectively.”

  • http://ranger9.net Ranger 9

    I like the concept of these units — building multiple flash tubes into a single body seems a sensible alternative compared to ganging together multiple speedlights on some kind of bracket.

    But I’m at a loss to figure out how the “supports TTL” claim could work. On the cameras I’m accustomed to use, TTL flash sets a basic exposure based on the ambient light level as read by the camera’s meter, then fires a pre-flash; the information from the pre-flash is used to set the flash output ONLY. Even if the Splash fires at full power during the pre-flash, the most this could do is throttle back the camera flash and allow the Splash to replace some of its output; since the Splash itself isn’t controlled by the camera’s TTL system, this seems potentially erratic.

    I couldn’t find any specific explanation of the TTL claim on the Splash website, and the review in ‘Amateur Photographer’ (April 12 issue) makes no mention of this capability at all. Maybe the manufacturer can provide more, er, enlightenment…?

    • David A. Selby

      The manufacturer said this:

      “The monos are capable of high speed repeat firing (up to four times) at 50 or 25% of power – much faster for the power than speedlites, for example. Consequently they are able to fire at equal power on TTL pre-flash signals from a camera or speedlite and allow most cameras to read the pre-flash in the same way as if it was continuous light.

      “… not every camera has been operated with these monos, though many cameras have been tested OK.”

      There’s also some information in the Q&As on the web site.

      • http://ranger9.net Ranger 9

        Thanks, I had read the Q&As and still didn’t quite “get it.” However, I found that the instruction manuals are downloadable as PDFs, and in one of those I found the following section:

        “7) AUTO PRE-FLASH OPERATION
        The Splash Monos will automatically synchronise to most pre-flash and flash signals when set to 50% or 25%. Cameras with limited exposure adjustment such as the lower-cost compact cameras may be ‘washed out’ with light when used with the Monos… When set up correctly, most cameras will read the supplemented pre-flash/flash and adjust colour and exposure balance automatically.”

        So it sounds as if the effectiveness of the TTL-compatibility feature depends largely on how much the camera is able to shift its settings in response to measurement of the pre-flash. My cameras are mostly older and don’t use the pre-flash info for anything except to adjust the output of the main flash, but maybe newer ones can do more. It would be interesting to see a user report that explores this feature!

  • vax

    the TTL idea looks good for things like weddings, or situations where you don’t have time to set something up, but most of us learn pretty quickly how to meter and even guess lighting ratios with some experience….

    Note that their TTL idea may not be quite what I want… where I may WANT the off-camera lights to be brighter or dimmer than the on-camera light, which is usually bounced somewhere anyway…

    What would be useful to me would be a High-Speed Sync, where I can use my Nikon at 1/1000th and a 400 watt-second flash set to somehow automatic predictability, that way I’d not have to drag around a speedotron 1500 and shoot at F22 to conquer the sun in bright daylight..

    the vendor says they’re stronger at 500th than 250th, but the qestion is is that only with cameras like the Nikon D40/50/70 which can sync at 500th without using High Speed Sync, or can these work with High Speed Sync? They seem to hint about the pulsing…

    Yes, I know you can “cheat-sync” with slow flash duration flashes and the new pocket wizards and various other methods, but in practice that’s been an interesting experiment, somewhat of a crapshoot for me that I’d rather not risk in an actual paying customer gig where I don’t have room for experimentation.

  • http://www.newtophoto.com Mark

    When I reviewed these units I had nothing but issues, Magneflash sent out 2 units and both gave inconsistent output results, the recycle time is truly awful 6-8 seconds on full power. Internal battery mean when it dies in the field, that’s it, shoot over.

    To say I was very disappointed is an understatement.

  • Just hoping…

    I am not sure I see the advantage of these monolights that much.

    a real guide number of 30 GN is not all THAT powerful, and True TTL wireless flashes by Nissin, Yongnuo, and Metz can all match that for under US $200

    The bigger surprise to me is they are made in the UK. When did the UK become part of China?

    ;)

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