How to combine flash with continuous light
Flash or continuous lighting—why not both? How to combine two kinds of light sources for unique results.
News and reviews for photographic lighting users
Flash or continuous lighting—why not both? How to combine two kinds of light sources for unique results.
We review the Impact Cruiser, a TTL AC/DC monolight from B&H Photo designed for use in the studio and on location. Is it any good?
Is the Godox Witstro AD600 Pro (Flashpoint Xplor 600 Pro) a substantially better flash than its predecessor, the AD600?
There are hundreds of modifiers out there with Bowens mounts… but which are any good? Markus Klinko describes how he adapted Broncolor accessories to fit Godox.
MIOPS triggers set off your camera using light, sound, motion or timers and even help you create timelapses and HDR photos. Are they any good?
A “revolutionary” system of light modifiers lets you switch lights on and off and adjust their relative brightness in post production.
Hexadecagonal softboxes are more affordable than ever, and the latest models assemble in seconds. Which should you buy?
The Aputure Light Storm LS C300D is an LED lamp that works with the same light-shaping tools as studio flashes, and claims equivalent output to a 2000-watt tungsten lamp.
Parabolix’s 40-inch (102cm) focusable reflector is designed as a “workhorse” for portraiture, fashion and beauty photography. Is it any good?
Michael Sewell puts the new Elinchrom ELB1200 portable lighting system to the test, shooting food, cars and people. How does it fare?
The German lighting maker has introduced a number of new lighting tools for stills and video shooters alike.
Global brand ‘Quadralite’ launches at The Photography Show, with raft of portable lighting products including flashes, studio lights and LEDs.